FAQ Questions:
Does the GTM match the investment milestones?
How sensitive is the time frame for predicted revenues? ( Or, does it matter ?)
Is there a backup to the number of converted galleries?
Is there a backup to the number of converted universities?
How do we woo digital cinema photographers?
Should we approach galleries with a list of “known” photographers?
Do universities have access to them (CFU has a photography school)?
Can we build a threadbare marketplace to maintain subscriptions? What is the MVP marketplace for the three milestones?
Do we find indie sellers for risk reduction? (aka RED-first GTM)
How do Galleries find the 8K patrons? How do the Universities?
Would it help to find a 8K sponsor up front (or is this a wild dream?)
How much of these risk mitigation discussions need to be formally documented for Angel Investment phase ?
Question on NFTs Proof of authenticity and chain of ownership solve many problems for auction houses like Sotheby’s and Christie’s who put serious resources into verification. The ability to attach smart contracts to the sale of NFTs can allow for infinitely paying royalties, a game-changer for creatives who are traditionally only paid once, while other people profit off future resales.
How are we different?